KCET interview by Gabriela Jauregui, 2008
Laguna Life & People, August 2005, by Aimee Greenberg
Riviera magazine, October 2004, by Kedric Francis
OC Weekly, May 10, 2001, by Rebecca Schoenkopf
Flaunt magazine, April, 2001, by Christopher Miles
BIOGRAPHY
PROFILE ARTICLES
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KCET interview by Gabriela Jauregui, 2008 |
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Laguna Life & People, August 2005, by Aimee Greenberg |
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Riviera magazine, October 2004, by Kedric Francis |
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OC Weekly, May 10, 2001, by Rebecca Schoenkopf |
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Flaunt magazine, April, 2001, by Christopher Miles |
| New Times Los Angeles, November 11 - 17, 1999, by Scott Timberg |
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EDUCATION
Master of Fine Arts, California Institute of the Arts, Valencia, California, 1992 Bachelor of Fine Arts, The Atlanta College of Art, Atlanta, 1990 The University of the South, Sewanee, TN, 1984-87
PROFESSIONAL
Director, University of California Riverside, Sweeney Art Gallery, 2007 to present Chief Curator, Laguna Art Museum, Chief Curator (2004-2006), Curator of Exhibitions (1999-04), Laguna Beach Director of Programs, Huntington Beach Art Center, Director of Programs, Huntington Beach, California, 1995-1999 Public Arts Division Assistant, City of Los Angeles, Cultural Affairs Department, Los Angeles, 1992-1994 Associate Curator and Slide Registrar Assistant, City of Los Angeles, Cultural Affairs Department, Municipal Art Gallery at Barnsdall Art Park, Los Angeles, 1990-1992 Operations Assistant, Beyond Baroque Literary/Arts Center, Venice, California, 1992
FACULTY
California State University Fullerton, Art Department, 2001-2002 University of California Irvine, Studio Art Department, 1999-2002
BOARD MEMBER and ADVISORY COMMITTEES
Advisory Board, Beall Center for Art and Technology, University of California Irvine, 2003 Board of Directors, Arts Orange County, Irvine, California, 1999-2000 Board of Directors, Grand Central Art Forum, Santa Ana, California, 1999-2000 Advisory Board, California State University, Fullerton, Extended Education for the Arts, 1997
SELECTED SOLO EXHIBITIONS
2007 The Morphologies of Tyler Stallings and Naida Osline, Mt. San Antonio College Art Gallery, Walnut, California
2006 Folded Passages: New Paintings by Tyler Stallings, Newspace Gallery, Los Angeles
2005 New World Order: Paintings by Tyler Stallings, Phoenix Contemporary Center for Art, Phoenix, Arizona
2004 Effects of an Eclipse: New Paintings by Tyler Stallings, Newspace Gallery, Los Angeles New Paintings by Tyler Stallings, Peter Blake Gallery, Laguna Beach, California
1995 The 1996 Games and Rules for a Plasmatic Astronaut, Nexus Contemporary Art Center, Atlanta SEX FREE ASTRONAUT LAID-OFF AEROSPACE WORKER STUDY ROOM, Re: Solution Gallery, Los Angeles Center for Photographic Studies, Los Angeles
1994 Cyborg Blossoms, Food House, Santa Monica, California
1992 You Must Begin With a Will to Spill, California Institute of the Arts, Gallery D301, Valencia, California
1991 Pre-Mortem Fantasies, Overgaden, Copenhagen, Denmark SELECTED GROUP EXHIBITIONS
2008 “narratives of the perverse” NO ONE UNDER 18, Jancar Gallery, Los Angeles 3rd Annual L.A. Weekly Biennial, Track 16 Gallery, Santa Monica, California Auction 100, Laguna Art Museum, Laguna Beach, California
2007 Corpus: California Figurative Artists, Cuesta College Art Gallery, San Luis Obispo, California “Dear Mr. Saltz” 8 Painters and One Critic, Pharmaka, Los Angeles
2006 Joni Gordon: 33 Years at Newspace, Newspace, Los Angeles
2005 20/20 Visions: What If Twenty Painters Invited Twenty More Painters To Be In A Show?, I-5 Gallery, Los Angeles Inside Out…West Coast, East Coast, and Beyond, L2K Contemporary, Los Angeles ArtLA art fair, Los Angeles
2004 domestic setting, Tinsletown Too, Los Angeles Certain Traces, Dialogue: Los Angeles / Prague 2004, multiple venues in Los Angeles, and Czech Republic Solomon Projects, Homegrown, Atlanta 2004 Liste Art Fair, Basel, Switzerland VTO Gallery, Decoding Highlights, London 18th Street Art Complex, Artistswhomakeartwriteaboutitandjustdoitall, Santa Monica, California
2003 domestic setting, Tinsletown, Los Angeles Cirrus Gallery, Painting By Letters, Los Angeles 25th Annual L.A.C.E. Auction, Los Angeles
2002 Works on Paper, Inc., The Lunatics Have Taken Over The Asylum, Los Angeles Chapman University, Guggenheim Art Gallery, The Frustrated Landscape, Orange, California cherrydelosreyes gallery, What Would Jesus Do?, Los Angeles POST, Irrational Propositions, Los Angeles
2001 Dirt Gallery, Travel Smart and Filing Cabinet, Los Angeles Innerspace Gallery, A Room Inside A Pie, Los Angeles
2000 Farmer’s Daughter Hotel, One Night Stand, Los Angeles The Spurgeon Experience I and II, Santa Ana, California
1999 Grand Central Art Center, California State University Fullerton, Sig/alert 2, Santa Ana, California Arizona State University Art Museum, Sig/alert, Tempe, Arizona
1998 The Ottawa Art Gallery / La Galerie D’Art D’Ottawa, Close Encounters, Ottawa, Canada Spanish Kitchen, tweeners, Los Angeles Zero One Gallery, The Best of the West, Los Angeles Gallery Paradiso, Simone Adels, Phyllis Green, Tyler Stallings, Costa Mesa, California
1997 Gallery 258, The Slide Area: The Dark Side of Hollywood, Beverly Hills George’s, The Dog Show, Los Angeles POST, Transport, Los Angeles
1996 Los Angeles Contemporary Exhibitions (L.A.C.E.), True. BLISS., Los Angeles Striking Distance, Dogs and Childhood, vitrual gallery on internet organized by Mitchell Syrop Griffin Linton Contemporary Exhibitions, Codpiece, Venice, California, curated by Meg Linton Griffin Linton Contemporary Exhibitions, Unknown Connections, Venice, California Los Angeles County Museum of Art, Ports of Entry: William S. Burroughs and the Arts, Los Angeles Barnsdall Art Park, Junior Arts Center Gallery, act, activate, analyze, ask....., Los Angeles, California Medical Arts Group, Radical Artifice, Santa Monica, California
1995 Jan Baum Gallery, Felicity, Los Angeles Cerritos College Fine Arts Gallery, In Excess, Los Angeles California Institute of the Arts, D301, Persistent Dispositions*Technetronic Identities, Valencia, California
1994 Food House, Late Photography: Miles Coolidge, Steven Criqui, Tyler Stallings, Santa Monica, California LAX/94: The Los Angeles Exhibitions, Otis College of Art & Design Gallery, Los Angeles Thread Waxing Space, Crash, New York John Good Gallery, Dirty, New York Andrea Rosen Gallery, Are You Experienced?, New York Rio Hondo College Art Gallery, Playfield, Los Angeles Chapman University, Guggenheim Gallery, Grammarians, Orange, California Cerritos College Art Gallery, Utter Realities, Los Angeles
1993 Richard Telles Fine Art, Steven Criqui, Keith Mayerson, Tyler Stallings, Los Angeles Art/LA 93, The 8th International LA Art Fair, Food House, Los Angeles Food House, Germinal Notations, Santa Monica, California Bliss, Home Alone, Pasadena, California Christopher Grimes Gallery, Technocolor: The Future That Never Was, Santa Monica, California Andrea Rosen Gallery, Some Artists I’ve Been Thinking About Who Fall Under the Title: Wouldn’t It Be More Pluralistic To Embrace Turmoil And/Or Violence?, New York The Bridge Gallery, Skinned Eyes/Skin Dyes, Los Angeles Beyond Baroque Literary Arts Center, Hobgoblins At the Feast, Venice, California
1992 Andrea Rosen Gallery, Tattoo Collection, New York, NY (traveled) Cirrus Gallery, I To Eye, Los Angeles, invited by Lane Relyea Foundation for Art Resources, FAR Bazaar, Old Federal Reserve Building, From Hell to Breakfast, Los Angeles 13th Annual Venice Art Walk, On the Installment Plan, Venice, California Visual Arts Center of Alaska, Seeing Red, White, or Blue: Censored in the U.S.A., Anchorage, AK
1991 Brand Name Damages, Sticky Fingers, Brooklyn, NY Other 45 Minutes, Selections from the Museum of Wishful Deterioration, Los Angeles
1990 The Forum Gallery, Aging: The Process, The Perception, Jamestown, NY (traveled) New Visions Gallery, Rated Rx: Pathological Conditions, Atlanta Norths Arts Center in collaboration with Nexus Contemporary Art Center, One Another, Atlanta
1989 The World Gallery, The Figure When It’s Speaking, Asheville, North Carolina Randolph Street Gallery, The End of the Weather as We Know It, Chicago Nexus Contemporary Art Center, Farewell to Forrest Ave., Atlanta New Visions Gallery, New Faces, Atlanta
1988 Nexus Contemporary Art Center, Comment, Atlanta Seven Stages Theatre, Bananaland: The First Central American Theme Park, Atlanta North Arts Center, Impulse To Order: Artist Books, Atlanta
PUBLIC ART
1989 36th Arts Festival of Atlanta, Art In Transit, Atlanta, (subway billboard) Woodruff Arts Center, Word Wall, Atlanta
1988 35th Arts Festival of Atlanta, Art In Transit, Atlanta, (bus placard)
ART PROJECTS FOR PUBLICATIONS
1998 New Observations, “Net Culture,” New York
1997 Luisitania, “Net Subjectivity,” New York
1996 Feedink #2, Los Angeles, audio cassette magazine
1995 Program for Paradise, catalogue, Project X, Occidental College, Los Angeles Joy, Los Angeles
1994 Fat, New York
1992 Buzzkill, Los Angeles
1990 Untitled, No. 2, Atlanta
VIDEO SCREENINGS
2003 2nd Annual Eyeberrations Digital Video Festival, Film and Video Center, University of California Irvine
1993 Rhode Island School of Design, Contemporary Video, Providence, Rhode Island
1991 Los Angeles Contemporary Exhibitions (L.A.C.E.), Selected Body Parts: A Physical Examination
1990 Image Film/Video Center, Breaking New Ground, Atlanta Woodruff Arts Center, ICON, Countdown to Infinity, Atlanta San Francisco International Film Festival, New Visions, San Francisco
BIBLIOGRAPHY—CATALOGS
20 Artists/20 Years, Atlanta: Nexus Contemporary Art Center, 1993. 35th Arts Festival of Atlanta, Atlanta, 1988. 36th Arts Festival of Atlanta, Atlanta, 1989 Aging: The Process, The Perception, Jamestown, NY: Forum Gallery, 1990. The Bridge Project, Hiroshima, Japan, 1992. Certain Traces, Dialogue: Los Angeles / Prague 2004, Czech Republic, Prague, 2004. Close Encounters, Ottawa, Canada: Ottawa Art Gallery / La Galerie D’Art D’Ottawa, 1998. Comment, Atlanta: Nexus Contemporary Art Center, Atlanta, 1988. Crash, New York: Thread Waxing Space, 1994. “Dear Mr. Saltz” 8 Painters and One Critic, Los Angeles: Pharmaka, 2007. The Figure When It’s Speaking, Asheville, NC: The World Gallery, 1989. Grammarians, Oragne, CA: Chapman University, 1994. LAX/94: The Los Angeles Exhibition, Los Angeles: City of L.A. Municipal Art Gallery, 1994. The Morphologies of Tyler Stallings and Naida Osline, Walnut, California: Mt. San Antonio College Art Gallery, 2007. Ports of Entry: William S. Burroughs and the Arts, Los Angeles: Los Angeles County Museum of Art, 1996. Seeing Red, White, or Blue: Censored in the U.S.A., Anchorage, AK: Visual Arts Center of Alaska, 1992. Sig/alert, Tempe, AZ: ASU Museum of Art, Arizona State University, 1999. True. BLISS, Los Angeles: Los Angeles Contemporary Exhibitions, 1996.
BIBLIOGRAPHY—PROFILES 2005 Orange Coast magazine, Dawn Petit, Septmeber Laguna Life & People, Aimee Greenberg, September 2004 Riviera magazine, October, Kedric Francis 2001 Coast Magazine, August, 2001, Lauri Mendenhall Flaunt magazine, April, 2001, Christopher Miles, pp. 146-149 OC Weekly, May 10-16, 2001, Rebecca Schoenkopf, pp. 16-19, 2000 OC Register article 1999 New Times LA, November 11-17, 1999, pp. 13-20, “Renegade Curator Tyler Stallings...,” Scott Timberg “Life & Times,” KCET television, Patt Morrison “Sound Exchange,” KPFK-FM, hosted by Jay Kugelman 1998 Art Program Profile, California Institute of the Arts Alumni News, Valencia, California, p. 2 1997 “Art News,” KYPA-AM, hosted by Molly Barnes “Look/Here,” KXLU-FM, hosted by Phyllis Green
BIBLIOGRAPHY—SELECTED ARTICLES and REVIEWS
2007 Los Angeles Times, Friday, June 22, 2007, “Dreamy, disturbing haunting images,” Holly Myers 2004 Los Angeles Times, Friday, September 24, 2004 OC Weekly, April 2004 Los Angeles Times’ Coastline Pilot, Friday, April 9, 2004, “Exploring the unreality of everyday reality,” Bobbie Allen 2003 New American Paintings, 2003/2004 Pacific Coast Los Angeles Times, Friday, Nov. 21, 2003, E28, “A game of show and tell,” Christopher Knight Artscene, November, “Painting By Letters,” 2002 OC Register, Sun., Sept. 15, 2002, Show, p. 21, “Scenery as mataphor,” Daniella Walsh Artnet.com, “Jesus Waves,” July 3, 2002, Eve Wood, 1999 OC Register, Sun., June 27, 1999, Show, “‘Sig-alert 2’ exhibit is no stoppage,” Daniella Walsh OC Weekly, July 2-8, 1999, p. 35, “Insider Art,” Rebecca Schoenkopf The Arizona Republic, Wed., Feb. 3, 1999, “Detour for ‘Sig-alert’” 1998 Vie Des Arts, n. 172, Sept, 1998, “Close Encounters,” Michael J. Molter Los Angeles Times, Thurs., May 7, 1998, pp. 28-29R, “Identifying Marks: Tyler Stallings’ new paintings about who we are reflect a promising change in direction,” Cathy Curtis 1997 OC Weekly, Dec. 5-11, 1997, p. 26, “Lava-Lamp Goo, Tyler Stalllings gets around,” Rebecca Schoenkopf 1995 LA Weekly, Jan. 6-12, 1995, p. 45, “Virtual Surreality,” Peter Frank 1994 Los Angeles Times, Thurs., Nov. 24, 1994, F20, “’Sincerity’ Focuses on Beauty, but Not Without Irony,” Susan Kandel Los Angeles Reader, May 27, 1994, p. 30, “Critic’s Choice,” David A. Greene Los Angeles Times, Thurs., Feb. 24, 1994, F1, “Freeing Words From Their Life Sentence,” Cathy Curtis Orange County Register, Mon., March 14, 1994, Peter Frank 1993 Visions, Winter 1993, pp. 23-24, “A Forest of Toys,” Lita Barrie, Los Angeles 1991 BKF (Billedkunstnernes Forbund), N. 4, Aug.-Sept. 1991, p. 8, ill., Copenhagen, Denmark Berlingske Tidende (Copenhagen), Fri., July 12, 1991, Sec. 4, p. 9, “Liv og dod,” Torben Weirup Politiken (Copenhagen), Sat., Aug. 10, 1991, Sec. 2, p. 8, “Tur i tid og rum,” Helen Lassen 1990 The Courier-Journal (Louisville), Sun., Sept. 30, 1990, “Artswatch: Double Denial,” Diane Heilenman New Art Examiner, April 1990, pp. 46-7, “The Figure When It’s Speaking,” Mark Clark Art Papers, March/April 1990, p. 51, “The Figure When It’s Speaking,” Chris Redd 1989 Creative Loafing, Feb. 25, 1989, 32B, “New Faces, New Visages,” Ruth Hartness Atlanta Journal & Constitution, Wed., June 28, 1989, C3, “Southern Artists Look at Postmodernism,” Christian Walker Art Papers, Sept/Oct., 1989, pp.58-59, “Group Show: Municipal Gallery,” Alan Sondheim 1988 Atlanta Journal & Constitution, Sun., Dec. 4, 1988, 1K, 3K, “Nexus’s ‘Comment’,” Catherine Fox
EXHIBITIONS
*Catalogue available.
2008 Truthiness: Photography as Sculpture, UCR/California Museum of Photography, Riverside, California* Absurd Recreation: Contemporary Art from China, UCR Sweeney Art Gallery Riverside, California* 100% Other: Artists and Psycho-Demographic Transitions, 18th Street Arts Center, Santa Monica* The Signs Pile Up: Paintings by Pedro Álvarez, UCR Sweeney Art Gallery Riverside, California*
2007 Gabriela León: Sunday Walk to the Zócalo, UCR Sweeney Art Gallery Riverside, California* Victor Payan and Perry Vasquez: Delirium Fronterium, UCR Sweeney Art Gallery Riverside, California Compass 2007: New Art from the MFA Programs of University of California, UCR Sweeney Art Gallery and UCR California Museum of Photography, Riverside, California Last Exit Empire: MFA Class of 2007, UCR Sweeney Art Gallery Riverside, California
2006 Pervasion: The Art of Gary Baseman and Tim Biskup, Laguna Art Museum em/bedded: A multi-media installation by Alan Sondheim with Leslie Thornton, Track 16 Gallery, Santa Monica, California California Art from the Permanent Collection, Part II, 1930s to 1959s, Laguna Art Museum
2005 California Art from the Permanent Collection, Part I, The Beginning, 1832-1925, Laguna Art Museum Conceptual Photography from the Collection, Laguna Art Museum Paul Paiement: Hybrids 1.0-3.5*, Laguna Art Museum Laguna’s Hidden Treasures: Art from Private Collections, Laguna Art Museum
2004 American Gothic: Talent for the Dark Ages*, Gallery C, Hermosa Beach, California The OsCene: Contemporary Art and Culture in OC, Laguna Art Museum Jody Zellen: Other Places*, Laguna Art Museum Ruben Ochoa and Marco Rios: Rigor Motors, and Ruben Ochoa’s Class: C Presents, Laguna Art Museum Deborah Aschheim: Neural Architecture (a smart building is a nervous building)*, Laguna Art Museum Funny Business: Humor in Art from the Permanent Collection, co-curator, Laguna Art Museum Severe Negotiations: Carrie Paterson, Kim Russo, Eve Wood, The Office: An Art Space, Huntington Beach, California
2003 Feat of Clay: Five Decades of Jerry Rothman, Laguna Art Museum Some Fuzzy Logic: The Joan Simon Menkes Gift, Laguna Art Museum Whiteness, A Wayward Construction* (traveled), Laguna Art Museum Waking Dreams: The Art of Leonard Kaplan*, Laguna Art Museum
2002 Surf Culture—The Art History of Surfing, co-curator* (traveled), Laguna Art Museum The Frustrated Landscape, Chapman University, Guggenheim Art Gallery, Orange, California* Odd Drawings, Cypress College Fine Arts Gallery, Cypress, California
2001 Beefcake Plus: Photographs by Arthur Tress, Orange County Center for Contemporary Art, Santa Ana, Califronia Laurie Brown: Recent Terrains, Laguna Art Museum Cyborg Manifesto, or The Joy of Artifice*, Laguna Art Museum Stephen Hendee: Presence Control, Laguna Art Museum One Minute of Your Time: A Brief History of Southern California Art from the Collection, 1835-2001, Laguna Art Museum
2000 Struggle: The Art of Szukalski* (traveled), Laguna Art Museum Margaret Keane and Keaneabilia*, Laguna Art Museum Sandow Birk’s “In Smog and Thunder: Historical Works from The Great War of Californias”*, Laguna Art Museum Jerry Burchfield: Habitat*, Laguna Art Museum L.A. Art in the Early 90s ¬ ReCharge ® The Eileen and Peter Norton Gift, Laguna Art Museum Concrete Lab, The Spurgeon Experience II, Santa Ana, California Concrete Lab, South Coast Plaza, Costa Mesa, California
1999 Inaudible Whispers: Suvan Geer, A Ten Year Survey, 1989-1999*, Huntington Beach Art Center Elizabeth Olbert: Big Country, Contemporary Arts Forum, Santa Barbara, California*
1998 Rubén Ortiz Torres: Desmothernismo, A survey of work from 1990 to 1998 (traveled)*,Huntington Beach Art Center Mike Rogers: El Caminoville (traveled)*, Huntington Beach Art Center Simon Leung: Surf Vietnam*, Huntington Beach Art Center Robert Williams, New Work (traveled)*, Huntington Beach Art Center Outside and In Between: Simone Adels, Thomas LaDuke, and Morgan Arden Carver*, Huntington Beach Art Center
1997 Kara Walker: African’t*, Huntington Beach Art Center Are We Touched? Identities From Outer Space*, Huntington Beach Art Center Should A Beatnik Drink A Martini? Richard Turner, A Ten Year Survey 1987-1997*, Huntington Beach Art Center Shelter (Phase VII), An Installation/Performance by Rika Ohara*, Huntington Beach Art Center
1996 Body Archaeology from “The Anatomy Lesson”: Joyce Cutler-Shaw*, Huntington Beach Art Center Dead on the Wall: Grateful Dead and Deadhead Iconography, Huntington Beach Art Center
1995 Grind: The Graphics and Culture of Skateboarding, Huntington Beach Art Center Fuzzy: Construction of Identity Within the Law*, Huntington Beach Art Center How to Start Your Own Country with artist-in-residence Daniel Martinez*, Huntington Beach Art Center
1993 Honey Cakes for Cerberus with Hobgoblins at the Feast, Beyond Baroque Literary/Arts Center, Venice
1992 Skinned Eyes/Skin Dyes, The Bridge Gallery, City of Los Angeles Cultural Affairs Dept, Los Angeles From Hell to Breakfast, Foundation for Art Resources, FAR Bazaar, Los Angeles
1990 Rated Rx: Pathological Conditions, New Visions Gallery, Atlanta One Another, North Arts Center and Nexus Contemporary Art Center, Atlanta
PERFORMANCE AND MOVEMENT
All feature-length evenings.
2000 Tim Miller, Laguna Art Museum
1999 Aimee Greenberg, (world premiere), Huntington Beach Art Center
1998 Paul Zaloom, Sick But True, Huntington Beach Art Center Tulsa Kinney and Jade Gordon, Art Star, Huntington Beach Art Center Oguri, A Blank Space, (world premiere), Huntington Beach Art Center Tim Miller, Shirts & Skins, Huntington Beach Art Center
1997 Anna Homler and Guy Bennett, No Live World This Side of the Sky, Huntington Beach Art Center ZooDanceOpera, The Water, (world premiere), Huntington Beach Art Center The Fabulous Monsters, Ramayana, Huntington Beach Art Center Dan Froot, Froot Alone, Huntington Beach Art Center Rika Ohara, Shelter (Phase VII), (world premiere), Huntington Beach Art Center Denise Uyehara, Headless Turtleneck Relatives: The Tale of Family and a Grandmother’s Suicide by Fire, Huntington Beach Art Center
1996 Aimee Greenberg, Dark Moon of Lilith, (world premiere), Huntington Beach Art Center Joan Hotchkis, Elements of Flesh, or Screwing Saved My Ass, Huntington Beach Art Center Doug Cooney, Astronaut, Huntington Beach Art Center Women Who Kill Too Much, Huntington Beach Art Center Melinda Ring, Willingly, (world premiere), Huntington Beach Art Center Tim Miller, Fruit Cocktail, Huntington Beach Art Center Carol Cetrone, Huntington Beach Art Center John Fleck, me III, Huntington Beach Art Center
1995 Jeff McMahon, City of God, (West Coast premiere), Huntington Beach Art Center Shrimps, Screech, (world premiere), Huntington Beach Art Center Scott Wichman, knuckle shaman, (world premiere), Huntington Beach Art Center Ernie Lafky, Western Landscapes, Huntington Beach Art Center Mehmet Sander, Five Solo Dance Performances, Huntington Beach Art Center James Donlon & Company, Purge!, Huntington Beach Art Center Barry Morse, Pink-flesh; delicate, (world premiere), Huntington Beach Art Center Annie Loui, Sympathetic Magic, (world premiere), Huntington Beach Art Center Luis Alfaro, down town, Huntington Beach Art Center John White, From the Visual to the Performable, Huntington Beach Art Center Lisa Lock, Canopy, Huntington Beach Art Center Rachel Rosenthal, Monologues, Huntington Beach Art Center Project X, Program for Paradise, readings co-organized with David Bunn, Occidental College, Los Angeles*
1994 LAX/94: The Los Angeles Exhibition, “Hmmm within space mmmmm of the maternal wha-koooommmmmm?”,multi-media readings at the Santa Monica Museum of Art for the Otis College of Art & Design Gallery, Santa Monica, California*
1993 Barnsdall Art Park, Barnsdall Artists Cafe series, Bodies Without Organs, performances, Los Angeles
FILM/VIDEO SERIES
2001 Series to accompany Three Solo Exhibitions of Photography: Laurie Brown, Anthony Hernandez, and Warren Neidich, Laguna Art Museum Series to accompany Cyborg Manifesto, or The Joy of Artifice, Laguna Art Museum Series to accompany Stephen Hendee: Presence Control, Laguna Art Museum
1997 Series to accompany Are We Touched? Identities from Outer Space, Huntington Beach Art Center
1995 Series of shorts under theme: Sports in a Different Light, Huntington Beach Art Center Series of shorts under theme: Animals and their Uses, Huntington Beach Art Center Series of shorts under theme: Love, War...Whatever, Huntington Beach Art Center Series of shorts under theme: Changes Over Time, Huntington Beach Art Center Series of shorts under theme: Revelations, Huntington Beach Art Center
BOOKS AND MAJOR EXHIBITION CATALOGUES
Are We Touched? Identities From Outer Space. Huntington Beach, California: Huntington Beach Art Center, 1997. Cyborg Manifesto, or The Joy of Artifice. Laguna Beach, California: Laguna Art Museum, 2001. (Online). Deborah Aschheim: Neural Architecture (a smart building is a nervous building). Laguna Beach, California: Laguna Art Museum, 2004. Desmothernismo: Rubén Ortiz Torres. Huntington Beach, California and Santa Monica, California: Huntington Beach Art Center and Smart Art Press, 1998. Feat of Clay: Five Decades of Jerry Rothman. Laguna Beach, California: Laguna Art Museum, 2003. Gabriela León: Sunday Walk to the Zócalo, Riverside: UCR Sweeney Art Gallery, 2007. Grind: The Graphics and Culture of Skateboarding. Huntington Beach, California: Huntington Beach Art Center, 1995. In the Land of Retinal Delights: The Juxtapoz School. Laguna Beach, California: Laguna Art Museum, 2008. (Forthcoming). Inaudible Whispers: Suvan Geer, A Ten Year Survey, 1989-1999. Huntington Beach, California: Huntington Beach Art Center, 1999. Jerry Burchfield: Habitat. Laguna Beach, California: Laguna Art Museum, 2000. Margaret Keane and Keaneabilia. Laguna Beach, California: Laguna Art Museum, 2000. Paul Paiement: Hybrids 1.0 - 3.5. Laguna Beach, California: Laguna Wilderness Press, 2005. Rick Griffin’s Transcendence: A Retrospective. Laguna Beach, California and San Francisco, California: Laguna Art Museum and Last Gasp, 2007. (Forthcoming). Sandow Birk’s “In Smog and Thunder: Historical Works from The Great War of the Californias.” Laguna Beach, California and San Francisco, California: Laguna Art Museum and Last Gasp, 2000. Should A Beatnik Drink A Martini? Richard Turner, A Ten Year Survey 1987-1997. Huntington Beach, California: Huntington Beach Art Center, 1997. The Signs Pile Up: Paintings by Pedro Álvarez, Riverside and Santa Monica: UCR Sweeney Art Gallery and Smart Art Press, 2008. Simon Leung: Surf Vietnam. Huntington Beach, California: Huntington Beach Art Center, 1998. Stephen Hendee: Presence Control. Laguna Beach, California: Laguna Art Museum, 2001. Surf Culture—The Art History of Surfing. Laguna Beach, California and Corte Madera, California: Laguna Art Museum and Gingko Press, 2002. Uncontrollable Bodies: Testimonies of Identity and Culture. Seattle, WA: Bay Press, 1994. Whiteness, A Wayward Construction. Laguna Beach, California and Los Angeles: Laguna Art Museum and Fellows of Contemporary Art, 2003.
BROCHURES
Body Archaeology from “The Anatomy Lesson”: Joyce Cutler-Shaw. Huntington Beach, California: Huntington Beach Art Center, 1996. Dead on the Wall: Grateful Dead and Deadhead Iconography. Huntington Beach, California: Huntington Beach Art Center, 1996. Fuzzy: Construction of Identity Within the Law. Huntington Beach, California: Huntington Beach Art Center, 1995. Honey Cakes for Cerberus. Los Angeles and Santa Monica, California: A.R.T. Press and Beyond Baroque Literary/Arts Center, 1993. Kara Walker: African’t. Huntington Beach, California: Huntington Beach Art Center, 1997. Outside and In Between: Simone Adels, Thomas LaDuke, and Morgan Arden Carver. Huntington Beach, California: Huntington Beach Art Center, 1998. Robert Williams, New Work. Huntington Beach, California: Huntington Beach Art Center, 1998. Rules for Wishful Deterioration, Los Angeles: self-published, 1991. Shelter (Phase VII), An Installation/Performance by Rika Ohara. Huntington Beach, California: Huntington Beach Art Center, 1997.
CONTRIBUTED ESSAYS TO BOOKS AND EXHIBITION CATALOGUES
A Model Universe, exhibition catalogue (online), Los Angeles: Otis College of Art and Design Gallery, 2001. “Curator’s Statement,” 2005 Louisiana Biennial. New Orleans, LA: Contemporary Art Center New Orleans, 2005. Elizabeth Olbert: Big Country, exhibition catalogue. Santa Barbara, California: Santa Barbara Contemporary Arts Forum, 1999 “The Everyday Lives of Childish Things,” Childish Things: Davis & Davis. Santa Monica, California: Santa Monica Press, 2003. Hypotheosis: Eve Wood and Doug Harvey, exhibition catalogue (online). Los Angeles: Wayward Gallery, 2001. “In Plain Sight But Not Defined,” Ruby Osorio: Story of a Girl (Who Awakes Far, Far and Away). St. Louis, MO: Contemporary Art Intimate Dramas: Work by Brigette Burns, exhibition catalogue. Orange, California: Guggenheim Gallery, Chapman University, 2000. Laughing Matters, exhibition catalogue. Los Angeles: Municipal Art Gallery at Barnsdall Art Park, City of Los Angeles Cultural Affairs Department, 1993. “The Magic of Longevity: Tony Delap and his art,” Tony DeLap. Orange, California: Chapman University Guggenheim Art Gallery, 2003. “On Receiving a Summons to be Painted,” Bradford Salamon: Tastemakers. Newport Beach, California: Square Blue Gallery2003. “Pump Up the Realism,” Todd Brainard: New Work. Los Angeles: Roberts & Tilton Gallery, 2002. “Walking into Deprivation,” Jeff Koegel: Real Estate. Pasadena, California: Pasadena Museum of California Art, 2005. Museum St. Louis, 2005.
ARTICLES
“Bad Girls West; Rachel Rosenthal: Zone; Scary Women: Female Monsters and Fiends in American Film.” Art Papers (July-August 1994). “California Painting In a Different Light: A Portrait of Sandow Birk.” Juxtapoz (September-October 2000). “Centers on the Periphery.” Poliester (spring 1999): 28-39. “Cindy Sherman.” Art Papers (November-December 1992): 40. “The Corner Medicine Cabinet.” L A Weekly, 16 June 2000. “David Wilson: The Museum of Jurassic Technology.” Art Papers (January-February 1994): 14-18. “Helter Skelter: L.A. Art in the 90’s.” Art Papers (May-June 1992): 31. “Identities From Outer Space.” Vision (August 1997): 15. “Jason Rogenes, project 3.94C.” X-tra (Spring 1997): 5-6. “Jeanne Dunning and David Bunn.” Art Papers (September-October 1992): 37. “Jody Zellen.” Art Papers (July-August 1993): 51. “Juliao Sarmento.” Art Papers (1991). “Like Infants from the Breast: The Cathode-Ray Milk of North America (Artists here have begun to re-embrace technology to question and expand boundaries).” Art Papers (January-February 1999): 34-39. “Michael Coughlan.” Art.issues (January-February 1995): 38. “Steve Roden.” Zingmagazine (1998). “Theater of the Audience: Women of Wrestling, Inc.” Site Street Journal (Fall 2002). “Trends in Art: Juxtapoz art magazine.” Art Papers (May-June 1998): 16. “Urban Art Salons in Orange County: Grand Central Art Center and [seven degrees].” Riviera (January 2003). “When Jesus Walked: A tour of Trinity Christian City International.” LA Weekly 13 July 2000.
PERIODICALS: EDITORIAL
Art Papers, West Coast Regional Editor, Atlanta, 1993-1996 Expatriates Anytime, independent ‘zine, Co-editor, Louisville, KY, 1982-1984. Hand Turkey, no. 1 (May 1992). Guest editor, California Institute of the Arts, Valencia, California. The Journal of Arts & Sciences, Co-editor, The University of the South, Sewanee, TN, 1984-1987.
PANELS
“After Whiteness: Race and the Visual Arts,” Urbana-Champaign, IL: University of Illinois, Urbana-Champaign, IL, 2003. “Alternative Curatorial Practices and the Artworld,” Santa Ana, California: Grand Central Art Center, 2000. “Art & Technology: Alan Rath, Ruben Ortiz Torres, and Tyler Stallings,” Santa Monica, California: Track 16 Gallery, 2002. “Close Encounters: Artists and Outer Space,” Ottawa, Canada: The Ottawa Art Gallery/La Galerie D’Art D’Ottawa, 1998. “The Graffiti Impulse in Sanctioned Public Art,” Santa Monica, California: Track 16 Gallery, 2003. “New Feminism: On the Recent Work of Ruby Osorio,” St. Louis, MO: Contemporary Art Museum St. Louis, 2005. “Sig-Alert 2: New Talent in Southern California,” Santa Ana, California: Grand Central Art Center, 1999. “Well Hung: Exhibition Strategies and Realities for the Artist,” Los Angeles: Barnsdall Art Park, 1997.
LECTURES
“150 Years of California Landscape Painting and The Frustrated Landscape,” Orange, California: Chapman University, 2002. “Are We Touched? Identities from Outer Space, Artists and Outer Space,” Burbank, California: Los Angeles Science Fiction Society, 1997. “Artists and the Artworld,” Long Beach, California: California State University Long Beach, 1998. “Audience Development & Publicity for the Arts,” Fullerton, California: California State University Fullerton, 2000. “Contemporary Art and K-12 Teachers,” Arts Bridge Conference (A.B.C.). Irvine, California: Orange County Board of Education, 1999. “Cyber-identities: Art and Net,” Digital Dialogues series. Pasadena, California: Art Center College of Art & Design, 1997. “Art as Criticism,” Valencia, California: California Institute of the Arts, 1996. “Artists Challenging Definitions of Whiteness,” Charlottesville, VA: University of Virginia Art Museum, 2004. “History of ‘Zines,” Valencia, California: California Institute of the Arts, 1994. “Hysterial Astronaut, an operation-in-the-round, artist-as-curator,” Montreal, Canada: Concordia University, 1998. “The Importance of a University Permanent Collection,” Orange, California: Chapman University, 2003. “The Magic of Longevity: Tony Delap and his art,” Irvine, California: The Pacific Club, 2002. “Museum Studies,” Saddleback, California: Saddleback College, 2000. “On the Work of Jeff Koegel,” Pasadena, California: Pasadena Museum of California Art, 2006. “One Minute of Your Time: 150 Years of California Art and Collecting,” Laguna Beach, California: Seven Degrees Arts Center, Young
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