KCET interview by Gabriela Jauregui, 2008
Laguna Life & People, August 2005, by Aimee Greenberg
Riviera magazine, October 2004, by Kedric Francis
OC Weekly, May 10, 2001, by Rebecca Schoenkopf
Flaunt magazine, April, 2001, by Christopher Miles
BIOGRAPHY
PROFILE ARTICLES
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KCET interview by Gabriela Jauregui, 2008 |
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Laguna Life & People, August 2005, by Aimee Greenberg |
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Riviera magazine, October 2004, by Kedric Francis |
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OC Weekly, May 10, 2001, by Rebecca Schoenkopf |
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Flaunt magazine, April, 2001, by Christopher Miles |
| New Times Los Angeles, November 11 - 17, 1999, by Scott Timberg |
TYLER STALLINGSPROFESSIONAL EXPERIENCE Working professionally in the arts since 1991 with increasing responsibility in non-collecting and collecting institutions, in city government, and private and public nonprofits. Knowledge and experience in American and European art of the 19th century to the present time; management and supervisory experience; experience in developing and monitoring budgets; demonstrated experience in fund development and revenue enhancement; success as a spokesperson; writing, researching, and planning skills. Curatorial and administrative responsibilities include: Stewardship of the collections; Manage temporary exhibition schedule of permanent collection objects, traveling exhibitions and community exhibitions; Manage curatorial and collections department budgets; Oversee production of exhibition publications; Research acquisition and loan recommendations; Research and publish on permanent collection objects; Design and oversee gallery installations; Grant writing; Research and present public lectures; Interact and cultivate collectors, donors and scholars; Creation of long-term plan for conservation, gallery and storage renovation; Participate in docent training; Conduct artist studio visits; Attend and present at monthly board meetings; Attend and present at quarterly acquisitions and exhibitions committee meetings; Member of Senior Management; Supervising several full-time and part-time staff, and volunteers. Catalogues, images, and other documentation available upon request.
EDUCATION
1992 Master of Fine Arts, California Institute of the Arts, Valencia, California
1990 Bachelor of Fine Arts, The Atlanta College of Art, Atlanta, Georgia (now part of Savannah College of Art and Design)
PROFESSIONAL
2006+ University of California Riverside, Director, Sweeney Art Gallery & Artistic Director, Culver Center of the Arts
1999-2006 Laguna Art Museum, Chief Curator, Laguna Beach, California
1995-1999 Huntington Beach Art Center, Director of Programs, Huntington Beach, California
1992-1994 City of Los Angeles, Cultural Affairs Department, Public Arts Division Assistant, Los Angeles, part-time
1990-1992 City of Los Angeles, Cultural Affairs Department, Municipal Art Gallery at Barnsdall Art Park, Associate Curator and Slide Registrar Assistant, Los Angeles, part-time
1992 Beyond Baroque Literary/Arts Center, Operations Assistant, Venice, California, part-time
CURATORIAL
EXHIBITIONS (*accompanied by a catalog or book)
2012 Free Enterprise—The Art of Citizen Space Exploration, UCR Sweeney Art Gallery & Culver Center of the Arts, co-curator* Mexico at the Hour of Combat: Sabino Osuna's Photographs of the Mexican Revolution, UCR Sweeney Art Gallery* Lewis deSoto and Erin Neff: Tahquitz, UCR Culver Center of the Arts, co-curator Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1982, organized by Palm Springs Art Museum as part of the multi-institutional Getty Research Institute initiative, Pacific Standard Time: Art in L.A., 1945-1980, guest co-curator*
2011 The Great Picture: The World’s Largest Photographs & The Legacy Project, UCR Sweeney Art Gallery & Culver Center of the Arts* Margarita Cabrera: Pulso y Martillo (Pulse and Hammer), UCR Sweeney Art Gallery
2010 Re:Cycle—Bike Culture in Southern California, UCR Sweeney Art Gallery Mapping the Desert/Deserting the Map: An Interdisciplinary Response, UCR Sweeney Art Gallery and UC Institute for Research in the Arts, co-curator
2009 Intelligent Design: Interspecies Art, co-curator, UCR Sweeney Art Gallery, Riverside, California Your Donations Do Our Work: Andrea Bowers and Suzanne Lacy, UCR Sweeney Art Gallery, Riverside, California Adia Millett, UCR Sweeney Art Gallery, Riverside, California Kyungmi Shin, UCR Sweeney Art Gallery, Riverside, California
2008 Absurd Recreation: Contemporary Art from China, UCR Sweeney Art Gallery, Riverside, California* Truthiness: Photography as Sculpture, UCR/California Museum of Photography, Riverside, California* 100% Other: Artists and Psycho-Demographic Transitions, 18th Street Arts Center, Santa Monica The Signs Pile Up: Paintings by Pedro Álvarez, UCR Sweeney Art Gallery Riverside, California*
2007 Gabriela León: Sunday Walk to the Zócalo, UCR Sweeney Art Gallery Riverside, California* Victor Payan and Perry Vasquez: Delirium Fronterium, UCR Sweeney Art Gallery Riverside, California Compass 2007: New Art from the MFA Programs of University of California, UCR Sweeney Art Gallery and UCR California Museum of Photography, Riverside, California, co-curator Last Exit Empire: MFA Class of 2007, UCR Sweeney Art Gallery Riverside, California
2006 Pervasion: The Art of Gary Baseman and Tim Biskup, Laguna Art Museum em/bedded: A multi-media installation by Alan Sondheim with Leslie Thornton, Track 16 Gallery, Santa Monica, California California Art from the Permanent Collection, Part II, 1930s to 1959s, Laguna Art Museum, co-curator
2005 California Art from the Permanent Collection, Part I, The Beginning, 1832-1925, Laguna Art Museum, co-curator Conceptual Photography from the Collection, Laguna Art Museum Paul Paiement: Hybrids 1.0-3.5*, Laguna Art Museum Laguna’s Hidden Treasures: Art from Private Collections, Laguna Art Museum
2004 American Gothic: Talent for the Dark Ages*, Gallery C, Hermosa Beach, California, guest curator The OsCene: Contemporary Art and Culture in OC, Laguna Art Museum Jody Zellen: Other Places*, Laguna Art Museum Ruben Ochoa and Marco Rios: Rigor Motors, and Ruben Ochoa’s Class: C Presents, Laguna Art Museum Deborah Aschheim: Neural Architecture (a smart building is a nervous building)*, Laguna Art Museum Funny Business: Humor in Art from the Permanent Collection, Laguna Art Museum, co-curator Severe Negotiations: Carrie Paterson, Kim Russo, Eve Wood, The Office: An Art Space, Huntington Beach, California, guest curator
2003 Feat of Clay: Five Decades of Jerry Rothman, co-curator*, Laguna Art Museum Some Fuzzy Logic: The Joan Simon Menkes Gift, Laguna Art Museum Whiteness, A Wayward Construction*, Laguna Art Museum, traveled Waking Dreams: The Art of Leonard Kaplan*, Laguna Art Museum
2002 Surf Culture—The Art History of Surfing, co-curator*, Laguna Art Museum, , co-curator, traveled The Frustrated Landscape, Chapman University, Guggenheim Art Gallery, Orange, California* Odd Drawings, Cypress College Fine Arts Gallery, Cypress, California, guest curator
2001 Beefcake Plus: Photographs by Arthur Tress, Orange County Center for Contemporary Art, Santa Ana, CA Laurie Brown: Recent Terrains, Laguna Art Museum Cyborg Manifesto, or The Joy of Artifice*, Laguna Art Museum Stephen Hendee: Presence Control, Laguna Art Museum One Minute of Your Time: A Brief History of Southern California Art from the Collection, 1835-2001, Laguna Art Museum, co-curator
2000 Struggle: The Art of Szukalski*, Laguna Art Museum, , co-curator, traveled Margaret Keane and Keaneabilia*, Laguna Art Museum Sandow Birk’s “In Smog and Thunder: Historical Works from The Great War of Californias”*, Laguna Art Museum, traveled Jerry Burchfield: Habitat*, Laguna Art Museum L.A. Art in the Early 90s ¬ ReCharge ® The Eileen and Peter Norton Gift, Laguna Art Museum Concrete Lab, The Spurgeon Experience II, Santa Ana, California, guest curator Concrete Lab, South Coast Plaza, Costa Mesa, California, guest curator
1999 Inaudible Whispers: Suvan Geer, A Ten Year Survey, 1989-1999*, Huntington Beach Art Center Elizabeth Olbert: Big Country, Contemporary Arts Forum, Santa Barbara, California, guest curator*
1998 Rubén Ortiz Torres: Desmothernismo, A survey of work from 1990 to 1998*, Huntington Beach Art Center, traveled Mike Rogers: El Caminoville*, Huntington Beach Art Center, traveled Simon Leung: Surf Vietnam*, Huntington Beach Art Center Robert Williams, New Work*, Huntington Beach Art Center, traveled Outside and In Between: Simone Adels, Thomas LaDuke, and Morgan Arden Carver*, Huntington Beach Art Center
1997 Kara Walker: African’t*, Huntington Beach Art Center Are We Touched? Identities From Outer Space*, Huntington Beach Art Center Should A Beatnik Drink A Martini? Richard Turner, A Ten Year Survey 1987-1997*, Huntington Beach Art Center Shelter (Phase VII), An Installation/Performance by Rika Ohara*, Huntington Beach Art Center
1996 Body Archaeology from “The Anatomy Lesson”: Joyce Cutler-Shaw*, Huntington Beach Art Center Dead on the Wall: Grateful Dead and Deadhead Iconography *, Huntington Beach Art Center, co-curator
1995 Grind: The Graphics and Culture of Skateboarding,,Huntington Beach Art Center, co-curator Fuzzy: Construction of Identity Within the Law*, Huntington Beach Art Center How to Start Your Own Country with artist-in-residence Daniel Martinez*, Huntington Beach Art Center
1993 Honey Cakes for Cerberus with Hobgoblins at the Feast, Beyond Baroque Literary/Arts Center, Venice, California
1992 Skinned Eyes/Skin Dyes, The Bridge Gallery, City of Los Angeles Cultural Affairs Dept, Los Angeles From Hell to Breakfast, Foundation for Art Resources, FAR Bazaar, Los Angeles, guest curator
1990 Rated Rx: Pathological Conditions, New Visions Gallery, Atlanta, guest co-curator One Another, North Arts Center in collaboration with Nexus Contemporary Art Center, Atlanta
PERFORMANCE (feature-length evenings)
2000 Tim Miller, Laguna Art Museum
1999 Aimee Greenberg, (world premiere), Huntington Beach Art Center
1998 Paul Zaloom, Sick But True, Huntington Beach Art Center Tulsa Kinney and Jade Gordon, Art Star, Huntington Beach Art Center Oguri, A Blank Space, (world premiere), Huntington Beach Art Center Tim Miller, Shirts & Skins, Huntington Beach Art Center
1997 Anna Homler and Guy Bennett, No Live World This Side of the Sky, Huntington Beach Art Center ZooDanceOpera, The Water, (world premiere), Huntington Beach Art Center The Fabulous Monsters, Ramayana, Huntington Beach Art Center Dan Froot, Froot Alone, Huntington Beach Art Center Rika Ohara, Shelter (Phase VII), (world premiere), Huntington Beach Art Center Denise Uyehara, Headless Turtleneck Relatives: The Tale of Family and a Grandmother’s Suicide by Fire, Huntington Beach Art Center
1996 Aimee Greenberg, Dark Moon of Lilith, (world premiere), Huntington Beach Art Center Joan Hotchkis, Elements of Flesh, or Screwing Saved My Ass, Huntington Beach Art Center Doug Cooney, Astronaut, Huntington Beach Art Center Women Who Kill Too Much, Huntington Beach Art Center Melinda Ring, Willingly, (world premiere), Huntington Beach Art Center Tim Miller, Fruit Cocktail, Huntington Beach Art Center Carol Cetrone, Huntington Beach Art Center John Fleck, me III, Huntington Beach Art Center
1995 Jeff McMahon, City of God, (West Coast premiere), Huntington Beach Art Center Shrimps, Screech, (world premiere), Huntington Beach Art Center Scott Wichman, knuckle shaman, (world premiere), Huntington Beach Art Center Ernie Lafky, Western Landscapes, Huntington Beach Art Center Mehmet Sander, Five Solo Dance Performances, Huntington Beach Art Center James Donlon & Company, Purge!, Huntington Beach Art Center Barry Morse, Pink-flesh; delicate, (world premiere), Huntington Beach Art Center Annie Loui, Sympathetic Magic, (world premiere), Huntington Beach Art Center Luis Alfaro, down town, Huntington Beach Art Center John White, From the Visual to the Performable, Huntington Beach Art Center Lisa Lock, Canopy, Huntington Beach Art Center Rachel Rosenthal, Monologues, Huntington Beach Art Center Project X, Program for Paradise, readings co-organized with David Bunn, Occidental College, Los Angeles*,guest curator
1994 LAX/94: The Los Angeles Exhibition, “Hmmm within space mmmmm of the maternal wha-koooommmmmm?”,multi-media readings at the Santa Monica Museum of Art for the Otis College of Art & Design Gallery, Santa Monica, California*
1993 Barnsdall Art Park, Barnsdall Artists Cafe series, Bodies Without Organs, performances, Los Angeles
FILM/VIDEO SERIES
2001 Series to accompany Three Solo Exhibitions of Photography: Laurie Brown, Anthony Hernandez, and Warren Neidich, Laguna Art Museum Series to accompany Cyborg Manifesto, or The Joy of Artifice, Laguna Art Museum Series to accompany Stephen Hendee: Presence Control, Laguna Art Museum
1997 Are We Touched? Identities from Outer Space, shorts, Huntington Beach Art Center Thomas Allen Harris, Vintage: Families of Value, feature, Huntington Beach Art Center
1996 Ruben Ortiz Torres and Jesse Lerner, Frontierland/Fronterilandia, feature, Huntington Beach Art Center
1995 Sports in a Different Light, shorts, Huntington Beach Art Center Animals and their Uses, shorts, Huntington Beach Art Center Love, War...Whatever, shorts, Huntington Beach Art Center Changes Over Time, shorts, Huntington Beach Art Center Revelations, shorts, Huntington Beach Art Center
PUBLICATIONS
BOOKS AND MAJOR EXHIBITION CATALOGS
Absurd Recreation: Contemporary Art from China, Riverside, CA and Los Angeles: UCR Sweeney Art Gallery and Morono Kiang Gallery, 2008. Are We Touched? Identities From Outer Space. Huntington Beach, California: Huntington Beach Art Center, 1997. Cyborg Manifesto, or The Joy of Artifice. Laguna Beach, California: Laguna Art Museum, 2001. (Online). Deborah Aschheim: Neural Architecture (a smart building is a nervous building). Laguna Beach, California: Laguna Art Museum, 2004. Desmothernismo: Rubén Ortiz Torres. Huntington Beach, California and Santa Monica, California: Huntington Beach Art Center and Smart Art Press, 1998. Feat of Clay: Five Decades of Jerry Rothman. Laguna Beach, California: Laguna Art Museum, 2003. Gabriela León: Sunday Walk to the Zócalo, Riverside: UCR Sweeney Art Gallery, 2007. The Great Picture: Making the World's Largest Photograph. New York: Hudson Hills Press, 2011. Grind: The Graphics and Culture of Skateboarding. Huntington Beach, California: Huntington Beach Art Center, 1995. Inaudible Whispers: Suvan Geer, A Ten Year Survey, 1989-1999. Huntington Beach, California: Huntington Beach Art Center, 1999. Jerry Burchfield: Habitat. Laguna Beach, California: Laguna Art Museum, 2000. Margaret Keane and Keaneabilia. Laguna Beach, California: Laguna Art Museum, 2000. Paul Paiement: Hybrids 1.0 - 3.5. Laguna Beach, California: Laguna Wilderness Press, 2005. Sandow Birk’s “In Smog and Thunder: Historical Works from The Great War of the Californias.” Laguna Beach, California and San Francisco, California: Laguna Art Museum and Last Gasp, 2000. Should A Beatnik Drink A Martini? Richard Turner, A Ten Year Survey 1987-1997. Huntington Beach, California: Huntington Beach Art Center, 1997. The Signs Pile Up: Paintings by Pedro Álvarez, Santa Monica: Smart Art Press, 2008. Simon Leung: Surf Vietnam. Huntington Beach, California: Huntington Beach Art Center, 1998. Stephen Hendee: Presence Control. Laguna Beach, California: Laguna Art Museum, 2001. Surf Culture—The Art History of Surfing. Laguna Beach, California and Corte Madera, California: Laguna Art Museum and Gingko Press, 2002. Truthiness: Photography as Sculpture, Riverside, California: UCR ARTSblock, 2008. Uncontrollable Bodies: Testimonies of Identity and Culture. Seattle, WA: Bay Press, 1994. Whiteness, A Wayward Construction. Laguna Beach, California and Los Angeles: Laguna Art Museum and Fellows of Contemporary Art, 2003.
BROCHURES
Body Archaeology from “The Anatomy Lesson”: Joyce Cutler-Shaw. Huntington Beach, California: Huntington Beach Art Center, 1996. Dead on the Wall: Grateful Dead and Deadhead Iconography. Huntington Beach, California: Huntington Beach Art Center, 1996. Fuzzy: Construction of Identity Within the Law. Huntington Beach, California: Huntington Beach Art Center, 1995. Honey Cakes for Cerberus. Los Angeles and Santa Monica, California: A.R.T. Press and Beyond Baroque Literary/Arts Center, 1993. Kara Walker: African’t. Huntington Beach, California: Huntington Beach Art Center, 1997. Outside and In Between: Simone Adels, Thomas LaDuke, and Morgan Arden Carver. Huntington Beach, California: Huntington Beach Art Center, 1998. Re:Cycle—Bike Culture in Southern California. Riverside, California: UCR Sweeney Art Gallery, 2010. Robert Williams, New Work. Huntington Beach, California: Huntington Beach Art Center, 1998. Rules for Wishful Deterioration, Los Angeles: self-published, 1991. Shelter (Phase VII), An Installation/Performance by Rika Ohara. Huntington Beach, California: Huntington Beach Art Center, 1997.
CONTRIBUTED ESSAYS TO BOOKS AND EXHIBITION CATALOGS
A Model Universe, exhibition catalogue (online), Los Angeles: Otis College of Art and Design Gallery, 2001. Collecting California: Selections from Laguna Art Museum, Laguna Beach, CA: Laguna Art Museum, 2009. “Curator’s Statement,” 2005 Louisiana Biennial. New Orleans, LA: Contemporary Art Center New Orleans, 2005. Elizabeth Olbert: Big Country, exhibition catalogue. Santa Barbara, California: Santa Barbara Contemporary Arts Forum, 1999 “The Everyday Lives of Childish Things,” Childish Things: Davis & Davis. Santa Monica, California: Santa Monica Press, 2003. “From Beefcake to Skatecake: Shifting Depictions of Male Clandestine Desires in the Backyard Swimming Pools of Southern California,” Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1980 (Palm Springs Art Museum). New York, NY: Prestel, 2012. Hypotheosis: Eve Wood and Doug Harvey, exhibition catalogue (online). Los Angeles: Wayward Gallery, 2001. “In Plain Sight But Not Defined,” Ruby Osorio: Story of a Girl (Who Awakes Far, Far and Away). St. Louis, MO: Contemporary Art Intimate Dramas: Work by Brigette Burns, exhibition catalogue. Orange, California: Guggenheim Gallery, Chapman University, 2000. Laughing Matters, exhibition catalogue. Los Angeles: Municipal Art Gallery at Barnsdall Art Park, City of Los Angeles Cultural Affairs Department, 1993. “The Magic of Longevity: Tony Delap and his art,” Tony DeLap. Orange, California: Chapman University Guggenheim Art Gallery, 2003. “On Receiving a Summons to be Painted,” Bradford Salamon: Tastemakers. Newport Beach, California: Square Blue Gallery2003. “The Osuna Collection: A New Chapter in War Photography,” Mexico at the Hour of Combat: Sabino Osuna's Photographs of the Mexican Revolution. Riverside, California: Latin American Perspectives, 2011. “Pump Up the Realism,” Todd Brainard: New Work. Los Angeles: Roberts & Tilton Gallery, 2002. “Sam Erenberg,” C.O.L.A. 2009 Fellowships Showcase Exceptional Mid-Career Artists in Los Angeles, exhibition catalogue, Los Angeles: Municipal Art Gallery at Barnsdall Art Park, City of Los Angeles Cultural Affairs Department, 2010. “Walking into Deprivation,” Jeff Koegel: Real Estate. Pasadena, California: Pasadena Museum of California Art, 2005. Museum St. Louis, 2005. “The World’s Largest Statement on Photography,” The Great Picture: Making the World's Largest Photograph. New York: Hudson Hills Press, 2011.
ARTICLES
“Bad Girls West; Rachel Rosenthal: Zone; Scary Women: Female Monsters and Fiends in American Film.” Art Papers (July-August 1994). “California Painting In a Different Light: A Portrait of Sandow Birk.” Juxtapoz (September-October 2000). “Centers on the Periphery.” Poliester (spring 1999): 28-39. “Cindy Sherman.” Art Papers (November-December 1992): 40. “The Corner Medicine Cabinet.” L A Weekly, 16 June 2000. “David Wilson: The Museum of Jurassic Technology.” Art Papers (January-February 1994): 14-18. “Helter Skelter: L.A. Art in the 90’s.” Art Papers (May-June 1992): 31. “Identities From Outer Space.” Vision (August 1997): 15. “Jason Rogenes, project 3.94C.” X-tra (Spring 1997): 5-6. “Jeanne Dunning and David Bunn.” Art Papers (September-October 1992): 37. “Jody Zellen.” Art Papers (July-August 1993): 51. “Juliao Sarmento.” Art Papers (1991). “Like Infants from the Breast: The Cathode-Ray Milk of North America (Artists here have begun to re-embrace technology to question and expand boundaries).” Art Papers (January-February 1999): 34-39. “Michael Coughlan.” Art.issues (January-February 1995): 38. “Steve Roden.” Zingmagazine (1998). “Theater of the Audience: Women of Wrestling, Inc.” Site Street Journal (Fall 2002). “Trends in Art: Juxtapoz art magazine.” Art Papers (May-June 1998): 16. “Urban Art Salons in Orange County: Grand Central Art Center and [seven degrees].” Riviera (January 2003). “When Jesus Walked: A tour of Trinity Christian City International.” LA Weekly 13 July 2000.
PERIODICALS: EDITORIAL
Art Papers, West Coast Regional Editor, Atlanta, 1993-1996 Expatriates Anytime, independent ‘zine, Co-editor, Louisville, KY, 1982-1984. Hand Turkey, no. 1 (May 1992). Guest editor, California Institute of the Arts, Valencia, California. The Journal of Arts & Sciences, Co-editor, The University of the South, Sewanee, TN, 1984-1987.
PANELS
“After Whiteness: Race and the Visual Arts,” Urbana-Champaign, IL: University of Illinois, Urbana-Champaign, IL, 2003. “Alternative Curatorial Practices and the Artworld,” Santa Ana, California: Grand Central Art Center, 2000. “Art & Technology: Alan Rath, Ruben Ortiz Torres, and Tyler Stallings,” Santa Monica, California: Track 16 Gallery, 2002. “From Beefcake to Skatecake: Masculinity in the Backyard” for symposium accompanying the exhibition, “Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1980,” Palm Springs Art Museum, 2010. “Close Encounters: Artists and Outer Space,” Ottawa, Canada: The Ottawa Art Gallery/La Galerie D’Art D’Ottawa, 1998. “The Graffiti Impulse in Sanctioned Public Art,” Santa Monica, California: Track 16 Gallery, 2003. “New Feminism: On the Recent Work of Ruby Osorio,” St. Louis, MO: Contemporary Art Museum St. Louis, 2005. “Sig-Alert 2: New Talent in Southern California,” Santa Ana, California: Grand Central Art Center, 1999. “Well Hung: Exhibition Strategies and Realities for the Artist,” Los Angeles: Barnsdall Art Park, 1997.
LECTURES
“150 Years of California Landscape Painting and The Frustrated Landscape,” Orange, California: Chapman University, 2002. “Are We Touched? Identities from Outer Space, Artists and Outer Space,” Burbank, California: Los Angeles Science Fiction Society, 1997. “Artists and the Artworld,” Long Beach, California: California State University Long Beach, 1998. “Audience Development & Publicity for the Arts,” Fullerton, California: California State University Fullerton, 2000. “Contemporary Art and K-12 Teachers,” Arts Bridge Conference (A.B.C.). Irvine, California: Orange County Board of Education, 1999. “Cyber-identities: Art and Net,” Digital Dialogues series. Pasadena, California: Art Center College of Art & Design, 1997. “Art as Criticism,” Valencia, California: California Institute of the Arts, 1996. “Artists Challenging Definitions of Whiteness,” Charlottesville, VA: University of Virginia Art Museum, 2004. “History of ‘Zines,” Valencia, California: California Institute of the Arts, 1994. “Hysterial Astronaut, an operation-in-the-round, artist-as-curator,” Montreal, Canada: Concordia University, 1998. “The Importance of a University Permanent Collection,” Orange, California: Chapman University, 2003. “Intelligent Design: Interspecies Art,” San Luis Obispo, California: Cal Poly San Luis Obispo, 2010. “The Magic of Longevity: Tony Delap and his art,” Irvine, California: The Pacific Club, 2002. “Museum Studies,” Saddleback, California: Saddleback College, 2000. “On the Work of Jeff Koegel,” Pasadena, California: Pasadena Museum of California Art, 2006. “One Minute of Your Time: 150 Years of California Art and Collecting,” Laguna Beach, California: Seven Degrees Arts Center, Young Presidents Organization, 2002. “Painting’s Edge,” Idyllwild, California: Idyllwild Arts Program, 2006. “Popular Culture in Art,” Irvine, California: University of California Irvine, 2000. “Recent Projects,” Art Forum. Santa Ana, California: Santa Ana College, 2001. “Recent Projects,” Fullerton, California: California State University Fullerton, 2003. “Recent Projects,” Claremont, California: Claremont Graduate School, 2001. “Recent Projects,” Irvine, California: Phyllis Lutjeans’ Art Crowd series, 1999. “Recent Projects,” New Orleans, LA: Contemporary Art Center New Orleans, 2005. “Recent Projects,” Los Angeles: Ryman Foundation, University of Southern California, 2005. “Recent Projects,” Pasadena, California: Pasadena City College, 2006. “Recent Projects,” Salt Lake City, UT: Salt Lake City Art Center, 2004. “Recent Projects,” Santa Barbara, California: University of California, Santa Barbara, College of Creative Studies, 2002. “Recent Projects,” Valencia, California: California Institute of the Arts, 2000. “Resurgence of Representation in Contemporary Art,” Laguna Beach, California: Laguna Beach College of Art and Design, 2003. “The Rise of Representational Art in Southern California,” Laguna Beach, California: California Studies Conference / Orange County History Conference, CSU Fullerton Oral History Program, 2002. “Science Fiction and Art,” Fullerton, California: Science Fiction Club of Orange County, 2002. “Sex, Violence, and Anarchy: Re-Defining Community and Audience for the Arts,” Madison, NJ: Drew University, 1998. “Transparent Membranes Make Me Happy, or the Museum as Metaphor,” Rethinking Museums lecture series. Los Angeles: Museum of Contemporary Art, 2001. “Trends in Contemporary Art,” Contemporary Artists Council. Long Beach, California: Long Beach Museum of Art, 2000. “Trends in Contemporary Art” Long Beach, California: California State University Long Beach, 2000.
SELECTION PANELS
2010 Los Angeles County Metropolitan Transportation Authority, Metro Art, San Fernando Valley Station
2007 University of California, Riverside, UCR ARTSblock, Executive Director search
2003 Beall Center for Art and Technology, University of California Irvine, Exhibition Grants
2002 City of Santa Monica, Fresh Art, Clover Park Public Art Project, Santa Monica, California City of Ventura, Organization and Individual Artist Grants, Ventura, California Seattle Arts Commission, Seattle Collects, Seattle, California
2001 California Arts Council, Visual Arts Organizations, Sacramento, California
2000 Los Angeles County Metropolitan Transportation Authority, Metro Art, MetroLab 30th American Institute of Architects Orange County Design Awards, Art in Public Spaces Tenure-Track Faculty Selection in Painting, University of California Irvine, California
1999 City of Los Angeles, Cultural Affairs Dept., Regional Arts Grant Program 1999-00
1998 California Arts Council, Visual Arts Organizations, Sacramento, California Arts Orange County, Individual Artist Grants, Visual Arts, Irvine, California
1995 Brody Arts Fund, Organization Grant Program, California Community Foundation, Los Angeles
1994 Los Angeles County Metropolitan Transportation Authority, Metro Art, Cal State Metrolink
JUROR FOR EXHIBITIONS
2010 The Lorser Feitelson and Helen Lundeberg Feitelson Arts Fellowship, Los Angeles Municipal Art Gallery
2008 MFA Year-End Award, University of California, San Diego
2007 Annual Members Exhibition, Riverside Art Museum, Riverside, CA 37th Annual Student Art Exhibition, California State University, San Bernardino
2005 2005 Louisiana Biennial, Contemporary Art Center New Orleans, LA
2004 The Land of the Free, juried and invitational, Brea Gallery, City of Brea, Brea, California
2003 A Remembrance of Things Future, California State University Fullerton, graduate
2001 Graduate Student Exhibition, California State University Long Beach, Long Beach, California New Works, California Choreographers Dance Festival, Laguna Beach, California Beefcake/Cheesecake, Orange County Center for Contemporary Art, Santa Ana, California Senior Undergraduate Exhibition, Chapman University, Orange, California The Elements: Air, Water, Fire & Earth, The Second City Council, Long Beach, California
2000 New Photography, Los Angeles County Fair, Pomona, California
1999 Discovering Darkness Beyond Light, Gallery 825, LA Art Association, Los Angeles Made In California, Brea Gallery, City of Brea, Brea, California
1998 Undergraduate Show, California State Polytechnic University, Pomona, Kellogg Uni. Art Gallery
1997 Undergraduate Show, Chapman University, Orange, California Undergraduate/Graduate Show, California State University, Fullerton, California
1996 Graduate Show, University of California, Irvine, California
BIBLIOGRAPHY—PROFILES
2008 KCET-TV, PBS interview
2005 L.A. Weekly, Holly Myers, October Orange Coast magazine, Dawn Petit, Septemeber Laguna Life & People, Aimee Greenberg, September
2004 Riviera magazine, October, Kedric Francis
2001 Coast Magazine, August, 2001, Lauri Mendenhall Flaunt magazine, April, 2001, Christopher Miles, pp. 146-149 OC Weekly, May 10-16, 2001, Rebecca Schoenkopf, pp. 16-19,
1999 New Times LA, November 11-17, 1999, pp. 13-20, “Renegade Curator Tyler Stallings...,” Scott Timberg “Life & Times,” KCET television, Patt Morrison “Sound Exchange,” KPFK-FM, hosted by Jay Kugelman
1998 Art Program Profile, California Institute of the Arts Alumni News, Valencia, California, p. 2
1997 “Art News,” KYPA-AM, hosted by Molly Barnes “Look/Here,” KXLU-FM, hosted by Phyllis Green
ADDITIONAL PROFESSIONAL
EXPERIENCE FACULTY
2001-2002 California State University Fullerton, Art Department
1999-2002 University of California Irvine, Studio Art Department
BOARD MEMBER and ADVISORY COMMITTEES
2003 Beall Center for Art and Technology, University of California Irvine, Advisory Board
1999-2000 Arts Orange County, Board of Directors, Irvine, California
1999-2000 Grand Central Art Center Forum, Board of Directors, Santa Ana, California
1997 California State University, Fullerton, Extended Education for the Arts, Advisory Board
MAJOR AWARDS AND GRANTS FOR PROGRAMS
Andy Warhol Foundation for the Arts, California Arts Council, City of Riverside, Fellows of Contemporary Art (Los Angeles), Meet the Composer, National Endowment for the Visual Arts, National Museum of American Indian Indigenous Contemporary Arts, University of California Institute for Mexico and the United States (UC Mexus), University of California Institute for Research in the Arts (UCIRA), among others.
ADDITIONAL SKILLS
Publisher and Distributor Collaborations
Business Skills
Computer Programs (PC and Apple)
Languages
CONTACT INFORMATION
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